Original Graphic Work, Drawings and Paintings

CONFINED  - CONFINÉ  - CONFINADO

A drop
Chaos
Chaos 2
My Angel
Imitation is the sincerest form of flattery
Liberté?
Improvisando la Intuición o Intuyendo la Improvisación
Improvisando la Intuición o Intuyendo la Improvisación (Improvising Intuition or Intuitive Improvisation)
Féminin
Hidden Nest (diptych)
Hidden Nest (diptych)
Nests
The construction of trajectories, often changing, evokes in the author the impressions and turns in the process of realization of the work. The artist focuses especially on the process, evoking the habitability of each reception unit and contrasting it with an architecture of networks as internal circuits of spaces to be explored.
The construction of trajectories, often changing, evokes in the author the impressions and turns in the process of realization of the work. The artist focuses especially on the process, evoking the habitability of each reception unit and contrasting it with an architecture of networks as internal circuits of spaces to be explored.
The construction of trajectories, often changing, evokes in the author the impressions and turns in the process of realization of the work. The artist focuses especially on the process, evoking the habitability of each reception unit and contrasting it with an architecture of networks as internal circuits of spaces to be explored.
The construction of trajectories, often changing, evokes in the author the impressions and turns in the process of realization of the work. The artist focuses especially on the process, evoking the habitability of each reception unit and contrasting it with an architecture of networks as internal circuits of spaces to be explored.
The construction of trajectories, often changing, evokes in the author the impressions and turns in the process of realization of the work. The artist focuses especially on the process, evoking the habitability of each reception unit and contrasting it with an architecture of networks as internal circuits of spaces to be explored.
The construction of trajectories, often changing, evokes in the author the impressions and turns in the process of realization of the work. The artist focuses especially on the process, evoking the habitability of each reception unit and contrasting it with an architecture of networks as internal circuits of spaces to be explored.
After the confinement more confusion. With this work I intend to close the production cycle of these months of forced confinement

New Normality / Nouvelle normalité / Nueva Normalidad

The author transfers his concerns to scale and recreates the journeys embodied by the abandonment of the home. Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete. Property is relative. Photography is memory, the margins are new conditions, new laws, new experiences, new contradictions, new adventures and passions.
The author transfers his concerns to scale and recreates the journeys embodied by the abandonment of the home. Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete. Property is relative. Photography is memory, the margins are new conditions, new laws, new experiences, new contradictions, new adventures and passions.
The author transfers his concerns to scale and recreates the journeys embodied by the abandonment of the home. Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete. Property is relative. Photography is memory, the margins are new conditions, new laws, new experiences, new contradictions, new adventures and passions.
The author transfers his concerns to scale and recreates the journeys embodied by the abandonment of the home. Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete. Property is relative. Photography is memory, the margins are new conditions, new laws, new experiences, new contradictions, new adventures and passions.
The author transfers his concerns to scale and recreates the journeys embodied by the abandonment of the home. Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete. Property is relative. Photography is memory, the margins are new conditions, new laws, new experiences, new contradictions, new adventures and passions.
The author transfers his concerns to scale and recreates the journeys embodied by the abandonment of the home. Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete. Property is relative. Photography is memory, the margins are new conditions, new laws, new experiences, new contradictions, new adventures and passions.
The author transfers his concerns to scale and recreates the journeys embodied by the abandonment of the home. Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete. Property is relative. Photography is memory, the margins are new conditions, new laws, new experiences, new contradictions, new adventures and passions.
The author transfers his concerns to scale and recreates the journeys embodied by the abandonment of the home. Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete. Property is relative. Photography is memory, the margins are new conditions, new laws, new experiences, new contradictions, new adventures and passions.