Talking Yellow 
Decomposition as an agglutinating element, smell, texture, viscosity... in elements in which the process that we could call degenerative can become reproductive.

Approximation

An approximation to the world of reality, it could be a simulation. The approximation in mathematics or physics is appreciated for its usefulness and not for its accuracy. In politics it is inefficient and in philosophy it is an illustration. The representation of reality is still an approximation.

A life in two words

The alteration of assertiveness as an emotional dysfunction conditions reasoning and behaviour. A constant distrust towards the word evokes credulity in the image even if it is an optical illusion. Awareness of the projected or extroverted self and the introverted, self-absorbed self.

Polarized

Looking at the different cognitive distortions that lead us to the error of reasoning. Simplification hides a complex disturbance of perception: East - West, North - South, Good - Bad.

Polarized tries to represent with minimal units of life, the labyrinthine degree of the society of the XXIst century invaded by the different perceptions of the ego in the same emotion.

Paper Moon 1, 2, 3, 4 and 5

Paper Moon changes the binomial "positive - negative" for a "positive - positive", both sides are illuminated, what yesterday could have been negative, today looks positive. Trajectories, technologies, deductions and probability statistics accompany the poet's moon today.

Migration

Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete. 

Photons and Vert

Questioning the veracity and demonstrability of any axiom.

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A Drop / Chaos 2 / Abdicate

Order implicit in chaos, a helical rhythm.

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Nests  and Green Nest

The construction of trajectories, often changing, evokes in the author the impressions and turns in the process of making the work. 

Tempo

The primary function of any plastic representation in images is to freeze time, especially photography. Tempo, in Italian, refers to the speed at which a piece of music should be performed. 

The Brightness of your Eye

Memory, like oblivion, is a fine, delicate and forceful line; in opposite directions. Both are consistent with each other.

The eyes of the tree 1, 2 and 3

A holistic view of the functioning of ecosystems and the disruption caused to them by the introduction of invasive species.

To C. Sagan

The author interprets the feelings of admiration that marked the viewing of Carl Sagan's Cosmos series, feelings that are sometimes contradictory but always complacent. 

Travelogue

I begin this collection with six works which, as their name suggests, are a travelogue.

I start from my childhood nest or I go to that nest, looking at Master J. Miro out of the corner of my eye. 

Perfidy 

The weight of the word in the conception of a work determines the attitude of the creator and the receiver. Perfidia leaves little to add in a time of social, political and economic upheaval. 

Fluids

Based on the lines that the waves engrave in liquid bodies, a work carried out with a fluid simulator and other computer tools. A work of fluid conception and execution.

Eclipse of memory

E of M refers to the passage of time, and forgetfulness. The ability to recreate memories to the point of modifying them and assuming them as true.

Starting from a visual memory from my childhood (a forest under the moonlight), its interpretation has been modified by the years, experience and the conditions of the chosen materials. It is the illusion of memory, both personally and collectively. If time could be measured by memory, what place would oblivion occupy?

Cold

Cold wave from inside a vehicle, in the garage of a house, as an over-wrapped, over-protected matriushka.

The thread that binds us together

Little by little science affirms what intuition cannot empirically verify, from the existence of intergalactic connections to the interstice, one of the most voluminous organs in our body, both of which went unnoticed. The thread that unites us, like the horizon, is an imaginary line that binds everything and can do everything.

Matriushka

Decomposition and composition. The different units of the doll could be interchangeable like an “cadavre exquis”. The doll seen in X-rays can be composed and decomposed, as a symbol of fortune, changing from hand to hand, changing its face and appearance.

Elusive

Little by little, science is affirming what intuition cannot prove empirically, from the existence of intergalactic connections to the interstice, one of the largest organs of our body, which have gone unnoticed. The thread that unites us, like the horizon, is an imaginary line that connects everything and everything can. This diptych is in continuity with the work El hilo que nos une, also shown in these pages.

Suddenly I don't know what I think

He began this work with the idea of a cartography, a sort of illustration of the different roughnesses in the author's state of mind. The transparency of the varnish gives the work a volume by accentuating the sheen. Almost invisible, in previous works by Jesús Tejedor, remains this desire to "be without being noticed". The moods are cyclical like rotating galaxies, based on the drawing of a pendulum that leaves its mark in search of stability, immobility.

The return

Four visions of the same object at different stages. Starting from a clay modelling and the action of water, la vuelta presents different visions of an irregular sphere with multiple perforations as if to shelter a swarm.

Ishigami White Dot

Among the author's concerns is architecture, some time after an Ishigami exhibition in Paris, he created a polyptych with a deep grey base, progressively searching for light. Another homage of the author to his icons, with another of his constant obsessions of simplifications of Matriushkas, the Russian dolls that house other dolls inside them.

Digital A and B

A series whose axis is the wound of identity through the fingerprint. Wounds that question both individual and collective identity, whether they are our own or those of others, they are also our identity. External or internal factors that become a spearhead or a process of progressive physical and mental decomposition.

Reference to external events that shape the identity of sociological, religious, political, cultural origin...

Trajectories

The molecule as the driving vehicle of this series, its practical invisibility and lightness, its power and beauty.

Unity of life, molecule and its interactions. The author finds the common thread more in the capacity to establish a predetermined path in his genes than in a will that is autonomous to his condition.

Virus

Superposition of incompatible cells that share the same space, life. A series conceived not only by the addition of elements, but also by subtraction.

Sepia

The importance of the apparent weight in each of these cartons, gives each individual an identity. As if looking through a microscope, the author designs each cell as if they were endowed with a specific function. The backgrounds of undefined profiles highlight the design; like a divinity that creates new forms of life, the author of Sepia explores the greatness of the insignificant and submits it to an individualised portrait framed in the collective.The importance of the apparent weight in each of these cartons, gives each individual an identity. As if looking through a microscope, the author designs each cell as if they were endowed with a specific function. The backgrounds of undefined profiles highlight the design; like a divinity that creates new forms of life, the author of Sepia explores the greatness of the insignificant and submits it to an individualised portrait framed in the collective.

Gravitational

Forces of the elements micro-universe and macro-universe. Monotype print on paper. Belonging to a series of black monotypes. Gravitational is a representation of the forces of attraction - repulsion in every element of the universe. The temperamental gesture as a factor of uncertainty gives the work an organic side.

Seeds 1 to 4

"Semillas" is a series of engravings and lithographs that tries to honor Mother Nature for her fertility and ability to reproduce, making her way through adversity by adaptation". The author invents and isolates the grains to put them in value and develops a hypothetical evolution in their growth. His apparent simplicity in the design of each of these seeds is underlined by the reuse of different plant elements, manipulated or of industrial origin, their variations conditioning the expression of life.