Dual
Dual

Ink, acrylic and monotype on Michel 250grs. paper. 180 X 120 cms.

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Dual 1
Dual 1

Ink, acrylic and monotype on Michel 250grs. paper. 180 X 120 cms.

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Dual 12
Dual 12

Ink, acrylic and monotype on Michel 250grs. paper. 180 X 120 cms.

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Dual
Dual

Ink, acrylic and monotype on Michel 250grs. paper. 180 X 120 cms.

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1/13

Dual 

A ≠ B, A+B = C. C > AB

The two faces of Janus in each individual. The opposites create another identity and this one confers a value superior to the sum of the opposites. Good / evil, physical / ethereal, active / passive, theory / practice. Bipolarity is growing in societies. The psycho-sociological complexity makes a balance of extremes very difficult.

Direction
Dextrous
Dextrous

Acrylic, oil and enamel on wood 144 X 49 cms.

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Dextrous1
Dextrous1

Acrylic, oil and enamel on wood 144 X 49 cms.

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Dextrous2g
Dextrous2g

Acrylic, oil and enamel on wood 144 X 49 cms.

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Dextrous
Dextrous

Acrylic, oil and enamel on wood 144 X 49 cms.

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1/16
Direction

Dextrous

Belonging to the series of dichotomies, foot and right hand as a partition of unity. During the 19th century, art studies and workshops, as well as those of medicine in the West, broke down the parts in order to analyse the anatomical volumes separately and deepen the morphological understanding in which an articulation is implicit, a movement capable of deforming the visual understanding. Feet, hands, torsos, heads, sexes, etc. in plaster in every corner of the academies. The choice of a part to refer to the whole in the arts and sciences were tools that facilitated and illuminated knowledge. Their conclusions, still largely valid, are deformed, amputated, relative. We have accepted the reduction to facilitate the understanding of the individual.

Deconstructing dichotomies  and Dichotomy

Good / evil, physical / ethereal, active / passive, theory / practice. Bipolarity is growing in societies, from language itself to politics whose synonyms and antonyms shape and blur coexistence. Psychological complexity makes a balance of extremes very difficult. For the author the sinusoidal line gives coherence in yin and yang.

Direction
Direction
Deconstructing dichotomies
Deconstructing dichotomies

4 works in mixed media on canvas (acrylic, oil and enamel) 190 x 190 cms

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Deconstructing dichotomies 1
Deconstructing dichotomies 1

4 works in mixed media on canvas (acrylic, oil and enamel) 190 x 190 cms

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Deconstructing dichotomies 4d
Deconstructing dichotomies 4d

4 works in mixed media on canvas (acrylic, oil and enamel) 190 x 190 cms

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Deconstructing dichotomies
Deconstructing dichotomies

4 works in mixed media on canvas (acrylic, oil and enamel) 190 x 190 cms

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1/21
Dichotomy
Dichotomy

4 works in mixed media on paper (acrylic, oil and collage) 200 X 140 cms.

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Dichotomy 1
Dichotomy 1

4 works in mixed media on paper (acrylic, oil and collage) 200 X 140 cms.

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Dichotomy 3b
Dichotomy 3b

4 works in mixed media on paper (acrylic, oil and collage) 200 X 140 cms.

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Dichotomy
Dichotomy

4 works in mixed media on paper (acrylic, oil and collage) 200 X 140 cms.

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1/17
Complements
Complements

Acrylic, ink and enamel on wood 78 X 72 cms.

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Complements 1
Complements 1

Acrylic, ink and enamel on wood 78 X 72 cms.

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Complements 2f
Complements 2f

Acrylic, ink and enamel on wood 78 X 72 cms.

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Complements
Complements

Acrylic, ink and enamel on wood 78 X 72 cms.

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1/13

Complements

Deconstructing Yin and yang, including different fields (mathematics, computer science, politics, fashion...) Socially exclusion is a contradiction: the whole is completed with the incursion of all its components, highlighting the need for complement and complementary.

Direction
Storytelling A
Storytelling A

Ink and lithographic pencil on paper A: 70 X 200 cms / 140 X 100 cms.

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Storytelling A
Storytelling A

Ink and lithographic pencil on paper A: 70 X 200 cms / 140 X 100 cms.

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Storytelling A4c
Storytelling A4c

Ink and lithographic pencil on paper A: 70 X 200 cms / 140 X 100 cms.

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Storytelling A
Storytelling A

Ink and lithographic pencil on paper A: 70 X 200 cms / 140 X 100 cms.

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1/17
Storytelling B
Storytelling B

Ink and lithographic pencil on paper B: 140 X 150 cms.

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Storytelling B2
Storytelling B2

Ink and lithographic pencil on paper B: 140 X 150 cms.

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Storytelling B7b
Storytelling B7b

Ink and lithographic pencil on paper B: 140 X 150 cms.

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Storytelling B
Storytelling B

Ink and lithographic pencil on paper B: 140 X 150 cms.

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1/18

Storytelling A and B

Direction

Like a child playing with colours on paper, among legends, myths, fables, anecdotes and all kinds of political stories, the spokesmen of their truths invade the time of silence necessary for socialising. Fake news, manipulated, cosmetic and half-truths infantilise us. Storytellers of misanthropes and petty thieves who take advantage, storytellers of those who look the other way or the finger that points to wisdom. Storytellers of escape and playfulness. Storytellers from whom we learn and from whom we unlearn.

Trajectories
Trajectories

Illuminated serigraphic monotype with ink on paper 65 X 50 cms.

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Trajectories 5
Trajectories 5

Illuminated serigraphic monotype with ink on paper 65 X 50 cms.

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Trajectories 1b
Trajectories 1b

Illuminated serigraphic monotype with ink on paper 65 X 50 cms.

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Trajectories
Trajectories

Illuminated serigraphic monotype with ink on paper 65 X 50 cms.

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1/39

Trajectorie

Direction

The molecule as the driving vehicle of this series, its practical invisibility and lightness, its power and beauty. The author questions the condition of man as a free individual, aware of the extreme complexity of the most elementary organism that fulfils genetically predetermined functions. The will subjugated to its own condition. Unity of life, molecule and its interactions. The author finds the common thread more in the capacity to establish a predetermined path in his genes than in a will that is autonomous to his condition.

Ambiguous News

Looking sideways at the saturation of images of the invasion of Ukraine. From the weariness of the monothema to the justified concern of an expansion of the conflict.

Direction
Ambiguous News
Ambiguous News

Monotype, ink and pastel on paper 140 X 200 cms.

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Ambiguous News 2
Ambiguous News 2

Monotype, ink and pastel on paper 140 X 200 cms.

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Ambiguous News 8b
Ambiguous News 8b

Monotype, ink and pastel on paper 140 X 200 cms.

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Ambiguous News
Ambiguous News

Monotype, ink and pastel on paper 140 X 200 cms.

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1/21
Blue Seed
Blue Seed

Lithograph 5 inks, woodcut, illuminated by hand 89,5 X 90 cms on 240 grs. paper. Edition signed by the author and numbered from 1/4 to 4/4. Self-published printed in Scalpo, Seville 2007.

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Blue Seed 3
Blue Seed 3

Lithograph 5 inks, woodcut, illuminated by hand 89,5 X 90 cms on 240 grs. paper. Edition signed by the author and numbered from 1/4 to 4/4. Self-published printed in Scalpo, Seville 2007.

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Blue Seed cadre
Blue Seed cadre

Lithograph 5 inks, woodcut, illuminated by hand 89,5 X 90 cms on 240 grs. paper. Edition signed by the author and numbered from 1/4 to 4/4. Self-published printed in Scalpo, Seville 2007.

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Blue Seed
Blue Seed

Lithograph 5 inks, woodcut, illuminated by hand 89,5 X 90 cms on 240 grs. paper. Edition signed by the author and numbered from 1/4 to 4/4. Self-published printed in Scalpo, Seville 2007.

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1/16

Blue Seed

"Seeds is a collection of engravings and lithographs that attempt to honour Mother Nature for her fertility and capacity to reproduce, making her way in the face of adversity through adaptation". The femininity of nature.

Direction

Refuges

Direction

The use of shelters made in times of war and recovered for cultural and exhibition purposes in times of peace, reopens the gap of collective memory. Individual protection in voluntary or forced confinement in the hope of survival from enemy attacks, unleashes the awareness of vulnerability. In terms of mood, our refuge is each one of us, the space we inhabit in our body, that of fragilised introspection that opens the doors to obsessions, paranoia, schizophrenia... oscillating between exhaustion, glory and pain.

Refuges
Refuges

Acrylic, enamel, ink, collage, aluminium on paper 33 X 33 cms.

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Refuges 1
Refuges 1

Acrylic, enamel, ink, collage, aluminium on paper 33 X 33 cms.

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Refuges B
Refuges B

Acrylic, enamel, ink, collage, aluminium on paper 33 X 33 cms.

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Refuges
Refuges

Acrylic, enamel, ink, collage, aluminium on paper 33 X 33 cms.

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1/27
PR
PR

P.R. 2020 / 2022 Inks, collage, monotype, on 250grs. paper 115,5 X 156 cms.

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PR 1
PR 1

P.R. 2020 / 2022 Inks, collage, monotype, on 250grs. paper 115,5 X 156 cms.

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PR 5b
PR 5b

P.R. 2020 / 2022 Inks, collage, monotype, on 250grs. paper 115,5 X 156 cms.

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PR
PR

P.R. 2020 / 2022 Inks, collage, monotype, on 250grs. paper 115,5 X 156 cms.

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1/20

P.R. & P.R. B

Starting from the idea of the indicator of the plans: you are here, the author recreates a circuit without reference, of a hypothetical work of art; the Red Dot that marks the sale of the work can be the beginning and, or end, it can leave the artist's studio and be transferred to its destination, or its exhibition space. Sensitive to the journey, the work is a living entity that suffers or enjoys its movement and its destination.

Direction
Direction
PRB
PRB

P.R. B 2022 Inks, collage, monotype, on 250grs. paper 156 X 77cms.

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PRB 1
PRB 1

P.R. B 2022 Inks, collage, monotype, on 250grs. paper 156 X 77cms.

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PRB 3b
PRB 3b

P.R. B 2022 Inks, collage, monotype, on 250grs. paper 156 X 77cms.

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PRB
PRB

P.R. B 2022 Inks, collage, monotype, on 250grs. paper 156 X 77cms.

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1/13

Dragging History.

Reflection on current events in geopolitics after the invasion of Ukraine. How far are we prisoners of our own idea of national identity? What is the weight of a History if it is not shared? Do ideologies based on the revisionism of a people's History approach authoritarianism? Is it ethical to use a state as a shield against aggression? A brightly coloured work like the children's illustrations with which the powers that be tell us stories.

Direction
Provenance
Provenance

Pastel, acrylic, collage, ink on paper 100 X 140 cm.

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Provenance a
Provenance a

Pastel, acrylic, collage, ink on paper 100 X 70 cm.

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Provenance
Provenance

Pastel, acrylic, collage, ink on paper 100 X 140 cm.

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Provenance
Provenance

Pastel, acrylic, collage, ink on paper 100 X 140 cm.

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1/12
Dragging History
Dragging History

Ink and comté on paper 6 units of 130 X 150 cms.

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Dragging History 1
Dragging History 1

Ink and comté on paper 6 units of 130 X 150 cms.

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Dragging History (detail)
Dragging History (detail)

Ink and comté on paper 6 units of 130 X 150 cms.

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Dragging History
Dragging History

Ink and comté on paper 6 units of 130 X 150 cms.

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1/22

Provenance 

Reflection on the condition of migrant in all individuals, each book, each music, museum, show, conversation, is an act of migration of neurons, of ideas, of tastes. Occupying spaces that are modified according to the individual and his or her origin. All peoples are their origins, migration is their condition, rejection is oblivion.

Direction
Direction

Lunar Graffiti

Another hymn to our satellite, who claims its mark in the light that reflects us? The author flees from the colour stereotypes used ad nauseam of blues, blacks and greys, marking his anagram on a summer crescent moon.

Lunar Graffiti
Lunar Graffiti

Acrylic, ink, enamel, aerosol, lithographic pencil on canvas 99 X 99 cms.

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Lunar Graffiti 1
Lunar Graffiti 1

Acrylic, ink, enamel, aerosol, lithographic pencil on canvas 99 X 99 cms.

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Lunar Graffiti 7
Lunar Graffiti 7

Acrylic, ink, enamel, aerosol, lithographic pencil on canvas 99 X 99 cms.

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Lunar Graffiti
Lunar Graffiti

Acrylic, ink, enamel, aerosol, lithographic pencil on canvas 99 X 99 cms.

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1/8
The other way
The other way

Acrylic, enamel, collage, lithographic pencil, pastel, ink on paper 70 X 150 cm.

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The other way 1
The other way 1

Acrylic, enamel, collage, lithographic pencil, pastel, ink on paper 70 X 150 cm.

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The other way 2a
The other way 2a

Acrylic, enamel, collage, lithographic pencil, pastel, ink on paper 70 X 150 cm.

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The other way
The other way

Acrylic, enamel, collage, lithographic pencil, pastel, ink on paper 70 X 150 cm.

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1/7

The other way

As in the game Twister, a metaphor looking at the social anthropology of the occupation of physical, ideological, economic spaces...

Direction

Talking Yellow 
Decomposition as an agglutinating element, smell, texture, viscosity... in elements in which the process that we could call degenerative can become reproductive.

Direction
Talking Yellow
Talking Yellow

Acrylic, print, ink on paper 64 X 50 cms. 150 X 64 cms.

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Talking Yellow 1
Talking Yellow 1

Acrylic, print, ink on paper 64 X 50 cms. 150 X 64 cms.

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Talking Yellow 3b
Talking Yellow 3b

Acrylic, print, ink on paper 64 X 50 cms. 150 X 64 cms.

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Talking Yellow
Talking Yellow

Acrylic, print, ink on paper 64 X 50 cms. 150 X 64 cms.

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1/9
Approximation
Approximation

Ink, aerosol, acrylic, lithographic collage, tack on paper 70 X 50 cms.

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Approximation 1
Approximation 1

Ink, aerosol, acrylic, lithographic collage, tack on paper 70 X 50 cms.

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Approximation 2b
Approximation 2b

Ink, aerosol, acrylic, lithographic collage, tack on paper 70 X 50 cms.

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Approximation
Approximation

Ink, aerosol, acrylic, lithographic collage, tack on paper 70 X 50 cms.

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1/10

Approximation

An approximation to the world of reality, it could be a simulation. The approximation in mathematics or physics is appreciated for its usefulness and not for its accuracy. In politics it is inefficient and in philosophy it is an illustration. The representation of reality is still an approximation.

Direction

A life in two words

Direction

The alteration of assertiveness as an emotional dysfunction conditions reasoning and behaviour. A constant distrust towards the word evokes credulity in the image even if it is an optical illusion. Awareness of the projected or extroverted self and the introverted, self-absorbed self.

A life in two words
A life in two words

Ink and print on paper Rosaspina 80 X 60 cms.

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A life in two words I
A life in two words I

Ink and print on paper Rosaspina 80 X 60 cms.

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A life in two words 2b
A life in two words 2b

Ink and print on paper Rosaspina 80 X 60 cms.

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A life in two words
A life in two words

Ink and print on paper Rosaspina 80 X 60 cms.

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1/8
Polarized
Polarized

Acrylic, ink, enamel and print on canvas. Polarized I 98 X 98 cms. Polarised II 130 X 98 cms.

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Polarized 1
Polarized 1

Acrylic, ink, enamel and print on canvas. Polarized I 98 X 98 cms. Polarised II 130 X 98 cms.

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Polarized 2b
Polarized 2b

Acrylic, ink, enamel and print on canvas. Polarized I 98 X 98 cms. Polarised II 130 X 98 cms.

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Polarized
Polarized

Acrylic, ink, enamel and print on canvas. Polarized I 98 X 98 cms. Polarised II 130 X 98 cms.

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1/12

Polarized

Looking at the different cognitive distortions that lead us to the error of reasoning. Simplification hides a complex disturbance of perception: East - West, North - South, Good - Bad.

Polarized tries to represent with minimal units of life, the labyrinthine degree of the society of the XXIst century invaded by the different perceptions of the ego in the same emotion.

Direction
Paper Moon
Paper Moon

Acrylic, ink, collage print on indian paper 95 X 69,5 cms

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Acrylic, ink, collage print on indian paper 95 X 69,5 cms
Acrylic, ink, collage print on indian paper 95 X 69,5 cms

Acrylic, ink, collage print on indian paper 95 X 69,5 cms

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Luna de Papel 5d
Luna de Papel 5d

Acrylic, ink, collage print on indian paper 95 X 69,5 cms

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Paper Moon
Paper Moon

Acrylic, ink, collage print on indian paper 95 X 69,5 cms

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1/24
Direction

Paper Moon 1, 2, 3, 4 and 5

Paper Moon changes the binomial "positive - negative" for a "positive - positive", both sides are illuminated, what yesterday could have been negative, today looks positive. Trajectories, technologies, deductions and probability statistics accompany the poet's moon today.

Photons proposal 1
Photons proposal 1

Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.

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Photons proposal 2
Photons proposal 2

Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.

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Photons A
Photons A

Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.

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Photons proposal 1
Photons proposal 1

Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.

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1/8

Photons and Vert

Questioning the veracity and demonstrability of any axiom.

Direction
Direction
Vert, proposal
Vert, proposal

Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.

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Vert 1
Vert 1

Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.

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Vert 6
Vert 6

Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.

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Vert, proposal
Vert, proposal

Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.

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1/7
Nests

Nests  and Green Nest

The construction of trajectories, often changing, evokes in the author the impressions and turns in the process of making the work. 

Direction
direction
nido verde
nido verde

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Green Nest 1
Green Nest 1

Acrylic, Indian ink in photograph on felt paper 78.5 x 117.6cm

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Green Nest 6 (detail)
Green Nest 6 (detail)

Acrylic, Indian ink in photograph on felt paper 78.5 x 117.6cm

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nido verde
nido verde

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1/20

Migration

Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete. 

direction

Tempo

The primary function of any plastic representation in images is to freeze time, especially photography. Tempo, in Italian, refers to the speed at which a piece of music should be performed. 

Direction
Direction
Migration
Migration

Collages, raffia, photography, marker, ink on paper of 65 X 50 cms

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Migration 1
Migration 1

Collages, raffia, photography, marker, ink on paper of 65 X 50 cms

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Migration 8
Migration 8

Collages, raffia, photography, marker, ink on paper of 65 X 50 cms

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Migration
Migration

Collages, raffia, photography, marker, ink on paper of 65 X 50 cms

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1/9
Tempo
Tempo

Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.

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Tempo 1 Cronus, God of time
Tempo 1 Cronus, God of time

Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.

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Tempo 6 Fausto, the wait, in the Almudena cemetery (Madrid)
Tempo 6 Fausto, the wait, in the Almudena cemetery (Madrid)

Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.

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Tempo
Tempo

Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.

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1/26
The Brightness of your Eye
The Brightness of your Eye

Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.

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The Brightness of your Eye (detail)
The Brightness of your Eye (detail)

Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.

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The Brightness of your Eye (detail)
The Brightness of your Eye (detail)

Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.

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The Brightness of your Eye
The Brightness of your Eye

Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.

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1/6

The Brightness of your Eye

Memory, like oblivion, is a fine, delicate and forceful line; in opposite directions. Both are consistent with each other.

Direction

The eyes of the tree 1 and 2

A holistic view of the functioning of ecosystems and the disruption caused to them by the introduction of invasive species.

Direction
Tree eyes 1
Tree eyes 1

Collage of relief prints on Indian paper and aluminium mounted on unglued paper 120 x 80 cms

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Tree eyes 2
Tree eyes 2

Collage of relief prints on dirty paper 250 grs. ink and acrylic. 85 X 68 cms.

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Tree eyes (detail)
Tree eyes (detail)

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Tree eyes 1
Tree eyes 1

Collage of relief prints on Indian paper and aluminium mounted on unglued paper 120 x 80 cms

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1/32

To C. Sagan

The author interprets the feelings of admiration that marked the viewing of Carl Sagan's Cosmos series, feelings that are sometimes contradictory but always complacent. 

Direction

Perfidy 

The weight of the word in the conception of a work determines the attitude of the creator and the receiver. Perfidia leaves little to add in a time of social, political and economic upheaval. 

Direction
To C. Sagan
To C. Sagan

Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.

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To C. Sagan 1
To C. Sagan 1

Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.

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To C. Sagan (detail)
To C. Sagan (detail)

Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.

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To C. Sagan
To C. Sagan

Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.

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1/18
Perfidy
Perfidy

Mixed media on canvas (acrylic, ink and industrial enamel). Work composed of six units of 134,5 X 134,5 in diagonal and a total of 481 X 343 cms.

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Perfidy 1
Perfidy 1

Mixed media on canvas (acrylic, ink and industrial enamel). Work composed of six units of 134,5 X 134,5 in diagonal and a total of 481 X 343 cms.

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Perfidy (detail)
Perfidy (detail)

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Perfidy
Perfidy

Mixed media on canvas (acrylic, ink and industrial enamel). Work composed of six units of 134,5 X 134,5 in diagonal and a total of 481 X 343 cms.

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1/32

Travelogue

I begin this collection with six works which, as their name suggests, are a travelogue.

I start from my childhood nest or I go to that nest, looking at Master J. Miro out of the corner of my eye. 

Direction
Travel Notebook : Learning
Travel Notebook : Learning

Mixed technique on canvas of 150 X 95 cms.

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Travel Notebook : The Return
Travel Notebook : The Return

Mixed technique on canvas of 150 X 95 cms.

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Travel Notebook : The Mystery
Travel Notebook : The Mystery

Mixed technique on canvas 145 X 80 cms.

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Travel Notebook : Learning
Travel Notebook : Learning

Mixed technique on canvas of 150 X 95 cms.

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1/8

Fluids

Based on the lines that the waves engrave in liquid bodies, a work carried out with a fluid simulator and other computer tools. A work of fluid conception and execution.

Direction
Fluids
Fluids

Indian ink and digital print on 220grs. paper of 50 X 68 cms.

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Fluids 1
Fluids 1

Indian ink and digital print on 220grs. paper of 50 X 68 cms.

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Fluids 16
Fluids 16

Indian ink and digital print on 220grs. paper of 50 X 68 cms.

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Fluids
Fluids

Indian ink and digital print on 220grs. paper of 50 X 68 cms.

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1/17
EM
EM

Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.

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EM1
EM1

Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.

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EM5b (detail)
EM5b (detail)

Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.

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EM
EM

Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.

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1/22

Eclipse of memory

Direction

E of M refers to the passage of time, and forgetfulness. The ability to recreate memories to the point of modifying them and assuming them as true. Starting from a visual memory from my childhood (a forest under the moonlight), its interpretation has been modified by the years, experience and the conditions of the chosen materials. It is the illusion of memory, both personally and collectively. If time could be measured by memory, what place would oblivion occupy?

Cold

Cold wave from inside a vehicle, in the garage of a house, as an over-wrapped, over-protected matriushka.

Direction

The thread that binds us together

Little by little science affirms what intuition cannot empirically verify, from the existence of intergalactic connections to the interstice, one of the most voluminous organs in our body, both of which went unnoticed. The thread that unites us, like the horizon, is an imaginary line that binds everything and can do everything.

The thread that binds us together
The thread that binds us together

2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.

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The thread that binds us together 1
The thread that binds us together 1

2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.

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The thread that binds us together (detail)
The thread that binds us together (detail)

2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.

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The thread that binds us together
The thread that binds us together

2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.

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1/9
Cold
Cold

Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.

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Cold 1
Cold 1

Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.

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Cold 5d
Cold 5d

Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.

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Cold
Cold

Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.

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1/24

Matriushka

Decomposition and composition. The different units of the doll could be interchangeable like an “cadavre exquis”. The doll seen in X-rays can be composed and decomposed, as a symbol of fortune, changing from hand to hand, changing its face and appearance.

Direction
Matriushka
Matriushka

Mixed Technique (enamel, collage) on paper 124 X 94 cms

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Matriushka 1
Matriushka 1

Mixed Technique (enamel, collage) on paper 124 X 94 cms

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Matriushka
Matriushka

Mixed Technique (enamel, collage) on paper 124 X 94 cms

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Matriushka
Matriushka

Mixed Technique (enamel, collage) on paper 124 X 94 cms

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1/15

Elusive

Little by little, science is affirming what intuition cannot prove empirically, from the existence of intergalactic connections to the interstice, one of the largest organs of our body, which have gone unnoticed. The thread that unites us, like the horizon, is an imaginary line that connects everything and everything can. This diptych is in continuity with the work El hilo que nos une, also shown in these pages.

Direction
Elusive
Elusive

Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.

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Elusive 1
Elusive 1

Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.

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Elusive 2a
Elusive 2a

Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.

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Elusive
Elusive

Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.

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1/7
Suddenly I don't know what I think
Suddenly I don't know what I think

Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.

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Suddenly I don't know what I think 1
Suddenly I don't know what I think 1

Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.

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Suddenly I don't know what I think  1e
Suddenly I don't know what I think 1e

Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.

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Suddenly I don't know what I think
Suddenly I don't know what I think

Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.

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1/14

Suddenly I don't know what I think

He began this work with the idea of a cartography, a sort of illustration of the different roughnesses in the author's state of mind. The transparency of the varnish gives the work a volume by accentuating the sheen. Almost invisible, in previous works by Jesús Tejedor, remains this desire to "be without being noticed". The moods are cyclical like rotating galaxies, based on the drawing of a pendulum that leaves its mark in search of stability, immobility.

The return
The return

India ink and digital print on super alpha paper 198 X 130 cms

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The return 1
The return 1

India ink and digital print on super alpha paper 198 X 130 cms

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The return
The return

India ink and digital print on super alpha paper 198 X 130 cms

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The return
The return

India ink and digital print on super alpha paper 198 X 130 cms

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1/18

The return

Four visions of the same object at different stages. Starting from a clay modelling and the action of water, la vuelta presents different visions of an irregular sphere with multiple perforations as if to shelter a swarm.

Direction
Direction

Ishigami White Dot

Among the author's concerns is architecture, some time after an Ishigami exhibition in Paris, he created a polyptych with a deep grey base, progressively searching for light. Another homage of the author to his icons, with another of his constant obsessions of simplifications of Matriushkas, the Russian dolls that house other dolls inside them.

Direction
Ishigami White Dot -A-
Ishigami White Dot -A-

Mixed media on canvas 71 X 59 cms.

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Ishigami White Dot 1
Ishigami White Dot 1

Mixed media on canvas 71 X 59 cms.

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Ishigami White Dot -B-
Ishigami White Dot -B-

Mixed media on canvas 71 X 59 cms.

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Ishigami White Dot -A-
Ishigami White Dot -A-

Mixed media on canvas 71 X 59 cms.

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1/19
Digital A
Digital A

Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.

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Digital A 1
Digital A 1

Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.

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Digital A 4
Digital A 4

Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.

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Digital A
Digital A

Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.

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1/5

Virus

Superposition of incompatible cells that share the same space, life. A series conceived not only by the addition of elements, but also by subtraction.

Direction

Digital A and B

A series whose axis is the wound of identity through the fingerprint. Wounds that question both individual and collective identity, whether they are our own or those of others, they are also our identity. External or internal factors that become a spearhead or a process of progressive physical and mental decomposition.

Reference to external events that shape the identity of sociological, religious, political, cultural origin...

Direction
Direction
Virus A
Virus A

Serigraphy enamel and inks on paper. 112 X 380 cms and 150 X 130 cms.

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Virus B
Virus B

Serigraphy enamel and inks on paper. 112 X 380 cms and 150 X 130 cms.

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virus13
virus13

Serigraphy enamel and inks on paper. 112 X 380 cms and 150 X 130 cms.

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Virus A
Virus A

Serigraphy enamel and inks on paper. 112 X 380 cms and 150 X 130 cms.

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1/15
Digital B
Digital B

Ink, acrylic, digital print on handmade paper 86 X 402 cms. Six separate or combined pieces: The other I inhabit Holistic of thought Weighing my history Releasing my shadow Whatever will be Another frozen stage

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Digital B 1
Digital B 1

Ink, acrylic, digital print on handmade paper 86 X 402 cms. The other I inhabit

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Digital B 6
Digital B 6

Ink, acrylic, digital print on handmade paper 86 X 402 cms. Another frozen stage

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Digital B
Digital B

Ink, acrylic, digital print on handmade paper 86 X 402 cms. Six separate or combined pieces: The other I inhabit Holistic of thought Weighing my history Releasing my shadow Whatever will be Another frozen stage

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1/7
Sepia
Sepia

Acrylic and ink on cardboard 42 X 29,7 cms. c.u. (252 X 89cms).

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Sepia 1
Sepia 1

Acrylic and ink on cardboard 42 X 29,7 cms. c.u. (252 X 89cms).

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Sepia (proposal)
Sepia (proposal)

Acrylic and ink on cardboard 42 X 29,7 cms. c.u. (252 X 89cms).

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Sepia
Sepia

Acrylic and ink on cardboard 42 X 29,7 cms. c.u. (252 X 89cms).

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1/20
Direction

Sepia The importance of the apparent weight in each of these cartons, gives each individual an identity. As if looking through a microscope, the author designs each cell as if they were endowed with a specific function. The backgrounds of undefined profiles highlight the design; like a divinity that creates new forms of life, the author of Sepia explores the greatness of the insignificant and submits it to an individualised portrait framed in the collective.The importance of the apparent weight in each of these cartons, gives each individual an identity. As if looking through a microscope, the author designs each cell as if they were endowed with a specific function. The backgrounds of undefined profiles highlight the design; like a divinity that creates new forms of life, the author of Sepia explores the greatness of the insignificant and submits it to an individualised portrait framed in the collective.

Seeds  5 and 6

Simple, decorticated seeds, ready to be observed in the laboratory, protected from different elements, light, humidity, acidity, standing out by contrast of their origin and descendants.

Direction
semillas
semillas

Lithography and relief printing 65,5 X 50,5 cms. Arches 240grs. Edition signed by the author and numbered from 1/5 to 5/5 Self-publishing printed in Scalpo

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Seeds 5
Seeds 5

Lithography and relief printing 65,5 X 50,5 cms. Arches 240grs. Edition signed by the author and numbered from 1/5 to 5/5 Self-publishing printed in Scalpo

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Seeds
Seeds

Lithography and relief printing 65,5 X 50,5 cms. Arches 240grs. Edition signed by the author and numbered from 1/5 to 5/5 Self-publishing printed in Scalpo

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semillas
semillas

Lithography and relief printing 65,5 X 50,5 cms. Arches 240grs. Edition signed by the author and numbered from 1/5 to 5/5 Self-publishing printed in Scalpo

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1/10
Seeds
Seeds

Lithography and relief printing 117,5 X 40 cms. Arches 300grs. Edition signed by the author and numbered from 1/4 to 4/4 Self-publishing printed in Scalpo

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Seeds 1
Seeds 1

Lithography and relief printing 117,5 X 40 cms. Arches 300grs. Edition signed by the author and numbered from 1/4 to 4/4 Self-publishing printed in Scalpo

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Seeds (detail)
Seeds (detail)

Lithography and relief printing 117,5 X 40 cms. Arches 300grs. Edition signed by the author and numbered from 1/4 to 4/4 Self-publishing printed in Scalpo

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Seeds
Seeds

Lithography and relief printing 117,5 X 40 cms. Arches 300grs. Edition signed by the author and numbered from 1/4 to 4/4 Self-publishing printed in Scalpo

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1/13

Seeds 1 to 4

Direction

"Semillas" is a series of engravings and lithographs that tries to honor Mother Nature for her fertility and ability to reproduce, making her way through adversity by adaptation". The author invents and isolates the grains to put them in value and develops a hypothetical evolution in their growth. His apparent simplicity in the design of each of these seeds is underlined by the reuse of different plant elements, manipulated or of industrial origin, their variations conditioning the expression of life.

Gravitational

Forces of the elements micro-universe and macro-universe. Monotype print on paper. Belonging to a series of black monotypes. Gravitational is a representation of the forces of attraction - repulsion in every element of the universe. The temperamental gesture as a factor of uncertainty gives the work an organic side.

Direction
Gravitational
Gravitational

Monotype on paper 224 X 76cms.

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Gravitational 2
Gravitational 2

Monotype on paper 224 X 76cms.

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Gravitational Magnetic
Gravitational Magnetic

Monotype on paper 224 X 296 cms.

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Gravitational
Gravitational

Monotype on paper 224 X 76cms.

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1/4
6 Interactions
6 Interactions

Illuminated monotypes by hand Collage on paper 336 X 152 cms.

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6 Interactions 1
6 Interactions 1

Illuminated monotypes by hand Collage on paper 336 X 152 cms.

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6 Interactions 6
6 Interactions 6

Illuminated monotypes by hand Collage on paper 336 X 152 cms.

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6 Interactions
6 Interactions

Illuminated monotypes by hand Collage on paper 336 X 152 cms.

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1/7

10 Interactions

The author intuitively creates a universe of particles whose behaviour and consequences still elude reason. Constantly breaking the perception in the observation as in a laboratory where the result varies according to the observer and reminds him of the insignificance of the immense without the understanding of the greatness in the minuscule, he portrays society considering the individual as a particle in a global way.

The movements and forces of particles due to conditions such as temperature, presence - absence of nutrients, proximity or condition in their own electric charge and mobility.

Direction
Logo Jesus Tejedor