Jesus Tejedor
Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.
Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.
Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.
Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.
Migration
Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete.
Photons and Vert
Questioning the veracity and demonstrability of any axiom.
A Drop / Chaos 2 / Abdicate
Order implicit in chaos, a helical rhythm.
Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.
Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.
Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.
Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.
Watercolor, ink and print on paper 100 X 70 cms.
Watercolor, ink and print on paper 100 X 70 cms.
Watercolor, ink and print on paper 100 X 70 cms.
Watercolor, ink and print on paper 100 X 70 cms.
Acrylic, Indian ink in photograph on felt paper 78.5 x 117.6cm
Acrylic, Indian ink in photograph on felt paper 78.5 x 117.6cm
Acrylic, Indian ink in photograph on felt paper 78.5 x 117.6cm
Acrylic, Indian ink in photograph on felt paper 78.5 x 117.6cm
Nests and Green Nest
The construction of trajectories, often changing, evokes in the author the impressions and turns in the process of making the work.
Tempo
The primary function of any plastic representation in images is to freeze time, especially photography. Tempo, in Italian, refers to the speed at which a piece of music should be performed.
Collages, raffia, photography, marker, ink on paper of 65 X 50 cms
Collages, raffia, photography, marker, ink on paper of 65 X 50 cms
Collages, raffia, photography, marker, ink on paper of 65 X 50 cms
Collages, raffia, photography, marker, ink on paper of 65 X 50 cms
Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.
Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.
Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.
Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.
Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.
Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.
Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.
Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.
The Brightness of your Eye
Memory, like oblivion, is a fine, delicate and forceful line; in opposite directions. Both are consistent with each other.
The eyes of the tree 1, 2 and 3
A holistic view of the functioning of ecosystems and the disruption caused to them by the introduction of invasive species.
Collage of relief prints on Indian paper and aluminium mounted on unglued paper 120 x 80 cms
Collage of relief prints on Indian paper and aluminium mounted on unglued paper 120 x 80 cms
Collage of relief prints on Indian paper and aluminium mounted on unglued paper 120 x 80 cms
To C. Sagan
The author interprets the feelings of admiration that marked the viewing of Carl Sagan's Cosmos series, feelings that are sometimes contradictory but always complacent.
Travelogue
I begin this collection with six works which, as their name suggests, are a travelogue.
I start from my childhood nest or I go to that nest, looking at Master J. Miro out of the corner of my eye.
Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.
Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.
Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.
Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.
Mixed technique on canvas of 150 X 95 cms.
Mixed technique on canvas of 150 X 95 cms.
Mixed technique on canvas 145 X 80 cms.
Mixed technique on canvas of 150 X 95 cms.
Mixed media on canvas (acrylic, ink and industrial enamel). Work composed of six units of 134,5 X 134,5 in diagonal and a total of 481 X 343 cms.
Mixed media on canvas (acrylic, ink and industrial enamel). Work composed of six units of 134,5 X 134,5 in diagonal and a total of 481 X 343 cms.
Mixed media on canvas (acrylic, ink and industrial enamel). Work composed of six units of 134,5 X 134,5 in diagonal and a total of 481 X 343 cms.
Perfidy
The weight of the word in the conception of a work determines the attitude of the creator and the receiver. Perfidia leaves little to add in a time of social, political and economic upheaval.
Fluids
Based on the lines that the waves engrave in liquid bodies, a work carried out with a fluid simulator and other computer tools. A work of fluid conception and execution.
Indian ink and digital print on 220grs. paper of 50 X 68 cms.
Indian ink and digital print on 220grs. paper of 50 X 68 cms.
Indian ink and digital print on 220grs. paper of 50 X 68 cms.
Indian ink and digital print on 220grs. paper of 50 X 68 cms.
Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.
Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.
Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.
Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.
Eclipse of memory
E of M refers to the passage of time, and forgetfulness. The ability to recreate memories to the point of modifying them and assuming them as true.
Starting from a visual memory from my childhood (a forest under the moonlight), its interpretation has been modified by the years, experience and the conditions of the chosen materials. It is the illusion of memory, both personally and collectively. If time could be measured by memory, what place would oblivion occupy?
Cold
Cold wave from inside a vehicle, in the garage of a house, as an over-wrapped, over-protected matriushka.
The thread that binds us together
Little by little science affirms what intuition cannot empirically verify, from the existence of intergalactic connections to the interstice, one of the most voluminous organs in our body, both of which went unnoticed. The thread that unites us, like the horizon, is an imaginary line that binds everything and can do everything.
2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.
2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.
2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.
2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.
Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.
Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.
Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.
Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.
Matriushka
Decomposition and composition. The different units of the doll could be interchangeable like an “cadavre exquis”. The doll seen in X-rays can be composed and decomposed, as a symbol of fortune, changing from hand to hand, changing its face and appearance.
Mixed Technique (enamel, collage) on paper 124 X 94 cms
Mixed Technique (enamel, collage) on paper 124 X 94 cms
Mixed Technique (enamel, collage) on paper 124 X 94 cms
Mixed Technique (enamel, collage) on paper 124 X 94 cms
Elusive
Little by little, science is affirming what intuition cannot prove empirically, from the existence of intergalactic connections to the interstice, one of the largest organs of our body, which have gone unnoticed. The thread that unites us, like the horizon, is an imaginary line that connects everything and everything can. This diptych is in continuity with the work El hilo que nos une, also shown in these pages.
Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.
Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.
Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.
Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.
Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.
Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.
Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.
Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.
Suddenly I don't know what I think
He began this work with the idea of a cartography, a sort of illustration of the different roughnesses in the author's state of mind. The transparency of the varnish gives the work a volume by accentuating the sheen. Almost invisible, in previous works by Jesús Tejedor, remains this desire to "be without being noticed". The moods are cyclical like rotating galaxies, based on the drawing of a pendulum that leaves its mark in search of stability, immobility.
India ink and digital print on super alpha paper 198 X 130 cms
India ink and digital print on super alpha paper 198 X 130 cms
India ink and digital print on super alpha paper 198 X 130 cms
India ink and digital print on super alpha paper 198 X 130 cms
The return
Four visions of the same object at different stages. Starting from a clay modelling and the action of water, la vuelta presents different visions of an irregular sphere with multiple perforations as if to shelter a swarm.
Ishigami White Dot
Among the author's concerns is architecture, some time after an Ishigami exhibition in Paris, he created a polyptych with a deep grey base, progressively searching for light. Another homage of the author to his icons, with another of his constant obsessions of simplifications of Matriushkas, the Russian dolls that house other dolls inside them.
Mixed media on canvas 71 X 59 cms.
Mixed media on canvas 71 X 59 cms.
Mixed media on canvas 71 X 59 cms.
Mixed media on canvas 71 X 59 cms.
Digital A and B
A series whose axis is the wound of identity through the fingerprint. Wounds that question both individual and collective identity, whether they are our own or those of others, they are also our identity. External or internal factors that become a spearhead or a process of progressive physical and mental decomposition.
Reference to external events that shape the identity of sociological, religious, political, cultural origin...
Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.
Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.
Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.
Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.
Ink, acrylic, digital print on handmade paper 86 X 402 cms. Six separate or combined pieces: The other I inhabit Holistic of thought Weighing my history Releasing my shadow Whatever will be Another frozen stage
Ink, acrylic, digital print on handmade paper 86 X 402 cms. The other I inhabit
Ink, acrylic, digital print on handmade paper 86 X 402 cms. Another frozen stage
Ink, acrylic, digital print on handmade paper 86 X 402 cms. Six separate or combined pieces: The other I inhabit Holistic of thought Weighing my history Releasing my shadow Whatever will be Another frozen stage
