Jesus Tejedor
Ink, acrylic and monotype on Michel 250grs. paper. 180 X 120 cms.
Ink, acrylic and monotype on Michel 250grs. paper. 180 X 120 cms.
Ink, acrylic and monotype on Michel 250grs. paper. 180 X 120 cms.
Ink, acrylic and monotype on Michel 250grs. paper. 180 X 120 cms.
Dual
A ≠ B, A+B = C. C > AB
The two faces of Janus in each individual. The opposites create another identity and this one confers a value superior to the sum of the opposites. Good / evil, physical / ethereal, active / passive, theory / practice. Bipolarity is growing in societies. The psycho-sociological complexity makes a balance of extremes very difficult.
Acrylic, oil and enamel on wood 144 X 49 cms.
Acrylic, oil and enamel on wood 144 X 49 cms.
Acrylic, oil and enamel on wood 144 X 49 cms.
Acrylic, oil and enamel on wood 144 X 49 cms.
Dextrous
Belonging to the series of dichotomies, foot and right hand as a partition of unity. During the 19th century, art studies and workshops, as well as those of medicine in the West, broke down the parts in order to analyse the anatomical volumes separately and deepen the morphological understanding in which an articulation is implicit, a movement capable of deforming the visual understanding. Feet, hands, torsos, heads, sexes, etc. in plaster in every corner of the academies. The choice of a part to refer to the whole in the arts and sciences were tools that facilitated and illuminated knowledge. Their conclusions, still largely valid, are deformed, amputated, relative. We have accepted the reduction to facilitate the understanding of the individual.
Deconstructing dichotomies and Dichotomy
Good / evil, physical / ethereal, active / passive, theory / practice. Bipolarity is growing in societies, from language itself to politics whose synonyms and antonyms shape and blur coexistence. Psychological complexity makes a balance of extremes very difficult. For the author the sinusoidal line gives coherence in yin and yang.
4 works in mixed media on canvas (acrylic, oil and enamel) 190 x 190 cms
4 works in mixed media on canvas (acrylic, oil and enamel) 190 x 190 cms
4 works in mixed media on canvas (acrylic, oil and enamel) 190 x 190 cms
4 works in mixed media on canvas (acrylic, oil and enamel) 190 x 190 cms
4 works in mixed media on paper (acrylic, oil and collage) 200 X 140 cms.
4 works in mixed media on paper (acrylic, oil and collage) 200 X 140 cms.
4 works in mixed media on paper (acrylic, oil and collage) 200 X 140 cms.
4 works in mixed media on paper (acrylic, oil and collage) 200 X 140 cms.
Acrylic, ink and enamel on wood 78 X 72 cms.
Acrylic, ink and enamel on wood 78 X 72 cms.
Acrylic, ink and enamel on wood 78 X 72 cms.
Acrylic, ink and enamel on wood 78 X 72 cms.
Complements
Deconstructing Yin and yang, including different fields (mathematics, computer science, politics, fashion...) Socially exclusion is a contradiction: the whole is completed with the incursion of all its components, highlighting the need for complement and complementary.
Ink and lithographic pencil on paper A: 70 X 200 cms / 140 X 100 cms.
Ink and lithographic pencil on paper A: 70 X 200 cms / 140 X 100 cms.
Ink and lithographic pencil on paper A: 70 X 200 cms / 140 X 100 cms.
Ink and lithographic pencil on paper A: 70 X 200 cms / 140 X 100 cms.
Ink and lithographic pencil on paper B: 140 X 150 cms.
Ink and lithographic pencil on paper B: 140 X 150 cms.
Ink and lithographic pencil on paper B: 140 X 150 cms.
Ink and lithographic pencil on paper B: 140 X 150 cms.
Storytelling A and B
Like a child playing with colours on paper, among legends, myths, fables, anecdotes and all kinds of political stories, the spokesmen of their truths invade the time of silence necessary for socialising. Fake news, manipulated, cosmetic and half-truths infantilise us. Storytellers of misanthropes and petty thieves who take advantage, storytellers of those who look the other way or the finger that points to wisdom. Storytellers of escape and playfulness. Storytellers from whom we learn and from whom we unlearn.
Illuminated serigraphic monotype with ink on paper 65 X 50 cms.
Illuminated serigraphic monotype with ink on paper 65 X 50 cms.
Illuminated serigraphic monotype with ink on paper 65 X 50 cms.
Illuminated serigraphic monotype with ink on paper 65 X 50 cms.
Trajectorie
The molecule as the driving vehicle of this series, its practical invisibility and lightness, its power and beauty. The author questions the condition of man as a free individual, aware of the extreme complexity of the most elementary organism that fulfils genetically predetermined functions. The will subjugated to its own condition. Unity of life, molecule and its interactions. The author finds the common thread more in the capacity to establish a predetermined path in his genes than in a will that is autonomous to his condition.
Ambiguous News
Looking sideways at the saturation of images of the invasion of Ukraine. From the weariness of the monothema to the justified concern of an expansion of the conflict.
Monotype, ink and pastel on paper 140 X 200 cms.
Monotype, ink and pastel on paper 140 X 200 cms.
Monotype, ink and pastel on paper 140 X 200 cms.
Monotype, ink and pastel on paper 140 X 200 cms.
Lithograph 5 inks, woodcut, illuminated by hand 89,5 X 90 cms on 240 grs. paper. Edition signed by the author and numbered from 1/4 to 4/4. Self-published printed in Scalpo, Seville 2007.
Lithograph 5 inks, woodcut, illuminated by hand 89,5 X 90 cms on 240 grs. paper. Edition signed by the author and numbered from 1/4 to 4/4. Self-published printed in Scalpo, Seville 2007.
Lithograph 5 inks, woodcut, illuminated by hand 89,5 X 90 cms on 240 grs. paper. Edition signed by the author and numbered from 1/4 to 4/4. Self-published printed in Scalpo, Seville 2007.
Lithograph 5 inks, woodcut, illuminated by hand 89,5 X 90 cms on 240 grs. paper. Edition signed by the author and numbered from 1/4 to 4/4. Self-published printed in Scalpo, Seville 2007.
Blue Seed
"Seeds is a collection of engravings and lithographs that attempt to honour Mother Nature for her fertility and capacity to reproduce, making her way in the face of adversity through adaptation". The femininity of nature.
Refuges
The use of shelters made in times of war and recovered for cultural and exhibition purposes in times of peace, reopens the gap of collective memory. Individual protection in voluntary or forced confinement in the hope of survival from enemy attacks, unleashes the awareness of vulnerability. In terms of mood, our refuge is each one of us, the space we inhabit in our body, that of fragilised introspection that opens the doors to obsessions, paranoia, schizophrenia... oscillating between exhaustion, glory and pain.
Acrylic, enamel, ink, collage, aluminium on paper 33 X 33 cms.
Acrylic, enamel, ink, collage, aluminium on paper 33 X 33 cms.
Acrylic, enamel, ink, collage, aluminium on paper 33 X 33 cms.
Acrylic, enamel, ink, collage, aluminium on paper 33 X 33 cms.
P.R. 2020 / 2022 Inks, collage, monotype, on 250grs. paper 115,5 X 156 cms.
P.R. 2020 / 2022 Inks, collage, monotype, on 250grs. paper 115,5 X 156 cms.
P.R. 2020 / 2022 Inks, collage, monotype, on 250grs. paper 115,5 X 156 cms.
P.R. 2020 / 2022 Inks, collage, monotype, on 250grs. paper 115,5 X 156 cms.
P.R. & P.R. B
Starting from the idea of the indicator of the plans: you are here, the author recreates a circuit without reference, of a hypothetical work of art; the Red Dot that marks the sale of the work can be the beginning and, or end, it can leave the artist's studio and be transferred to its destination, or its exhibition space. Sensitive to the journey, the work is a living entity that suffers or enjoys its movement and its destination.
P.R. B 2022 Inks, collage, monotype, on 250grs. paper 156 X 77cms.
P.R. B 2022 Inks, collage, monotype, on 250grs. paper 156 X 77cms.
P.R. B 2022 Inks, collage, monotype, on 250grs. paper 156 X 77cms.
P.R. B 2022 Inks, collage, monotype, on 250grs. paper 156 X 77cms.
Dragging History.
Reflection on current events in geopolitics after the invasion of Ukraine. How far are we prisoners of our own idea of national identity? What is the weight of a History if it is not shared? Do ideologies based on the revisionism of a people's History approach authoritarianism? Is it ethical to use a state as a shield against aggression? A brightly coloured work like the children's illustrations with which the powers that be tell us stories.
Pastel, acrylic, collage, ink on paper 100 X 140 cm.
Pastel, acrylic, collage, ink on paper 100 X 70 cm.
Pastel, acrylic, collage, ink on paper 100 X 140 cm.
Pastel, acrylic, collage, ink on paper 100 X 140 cm.
Ink and comté on paper 6 units of 130 X 150 cms.
Ink and comté on paper 6 units of 130 X 150 cms.
Ink and comté on paper 6 units of 130 X 150 cms.
Ink and comté on paper 6 units of 130 X 150 cms.
Provenance
Reflection on the condition of migrant in all individuals, each book, each music, museum, show, conversation, is an act of migration of neurons, of ideas, of tastes. Occupying spaces that are modified according to the individual and his or her origin. All peoples are their origins, migration is their condition, rejection is oblivion.
Lunar Graffiti
Another hymn to our satellite, who claims its mark in the light that reflects us? The author flees from the colour stereotypes used ad nauseam of blues, blacks and greys, marking his anagram on a summer crescent moon.
Acrylic, ink, enamel, aerosol, lithographic pencil on canvas 99 X 99 cms.
Acrylic, ink, enamel, aerosol, lithographic pencil on canvas 99 X 99 cms.
Acrylic, ink, enamel, aerosol, lithographic pencil on canvas 99 X 99 cms.
Acrylic, ink, enamel, aerosol, lithographic pencil on canvas 99 X 99 cms.
Acrylic, enamel, collage, lithographic pencil, pastel, ink on paper 70 X 150 cm.
Acrylic, enamel, collage, lithographic pencil, pastel, ink on paper 70 X 150 cm.
Acrylic, enamel, collage, lithographic pencil, pastel, ink on paper 70 X 150 cm.
Acrylic, enamel, collage, lithographic pencil, pastel, ink on paper 70 X 150 cm.
The other way
As in the game Twister, a metaphor looking at the social anthropology of the occupation of physical, ideological, economic spaces...
Talking Yellow
Decomposition as an agglutinating element, smell, texture, viscosity... in elements in which the process that we could call degenerative can become reproductive.
Acrylic, print, ink on paper 64 X 50 cms. 150 X 64 cms.
Acrylic, print, ink on paper 64 X 50 cms. 150 X 64 cms.
Acrylic, print, ink on paper 64 X 50 cms. 150 X 64 cms.
Acrylic, print, ink on paper 64 X 50 cms. 150 X 64 cms.
Ink, aerosol, acrylic, lithographic collage, tack on paper 70 X 50 cms.
Ink, aerosol, acrylic, lithographic collage, tack on paper 70 X 50 cms.
Ink, aerosol, acrylic, lithographic collage, tack on paper 70 X 50 cms.
Ink, aerosol, acrylic, lithographic collage, tack on paper 70 X 50 cms.
Approximation
An approximation to the world of reality, it could be a simulation. The approximation in mathematics or physics is appreciated for its usefulness and not for its accuracy. In politics it is inefficient and in philosophy it is an illustration. The representation of reality is still an approximation.
A life in two words
The alteration of assertiveness as an emotional dysfunction conditions reasoning and behaviour. A constant distrust towards the word evokes credulity in the image even if it is an optical illusion. Awareness of the projected or extroverted self and the introverted, self-absorbed self.
Ink and print on paper Rosaspina 80 X 60 cms.
Ink and print on paper Rosaspina 80 X 60 cms.
Ink and print on paper Rosaspina 80 X 60 cms.
Ink and print on paper Rosaspina 80 X 60 cms.
Acrylic, ink, enamel and print on canvas. Polarized I 98 X 98 cms. Polarised II 130 X 98 cms.
Acrylic, ink, enamel and print on canvas. Polarized I 98 X 98 cms. Polarised II 130 X 98 cms.
Acrylic, ink, enamel and print on canvas. Polarized I 98 X 98 cms. Polarised II 130 X 98 cms.
Acrylic, ink, enamel and print on canvas. Polarized I 98 X 98 cms. Polarised II 130 X 98 cms.
Polarized
Looking at the different cognitive distortions that lead us to the error of reasoning. Simplification hides a complex disturbance of perception: East - West, North - South, Good - Bad.
Polarized tries to represent with minimal units of life, the labyrinthine degree of the society of the XXIst century invaded by the different perceptions of the ego in the same emotion.
Acrylic, ink, collage print on indian paper 95 X 69,5 cms
Acrylic, ink, collage print on indian paper 95 X 69,5 cms
Acrylic, ink, collage print on indian paper 95 X 69,5 cms
Acrylic, ink, collage print on indian paper 95 X 69,5 cms
Paper Moon 1, 2, 3, 4 and 5
Paper Moon changes the binomial "positive - negative" for a "positive - positive", both sides are illuminated, what yesterday could have been negative, today looks positive. Trajectories, technologies, deductions and probability statistics accompany the poet's moon today.
Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.
Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.
Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.
Hand-illuminated monotypes 195 X 152cms - 6 pieces of 76 X 65 cms.
Photons and Vert
Questioning the veracity and demonstrability of any axiom.
Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.
Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.
Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.
Hand-illuminated monotypes 150 X 50cms - 6 pieces of 50 X 50 cms.
Nests and Green Nest
The construction of trajectories, often changing, evokes in the author the impressions and turns in the process of making the work.
Acrylic, Indian ink in photograph on felt paper 78.5 x 117.6cm
Acrylic, Indian ink in photograph on felt paper 78.5 x 117.6cm
Migration
Memory is frozen in the nest of childhood. The margins enter the terrain of fears, doubts and uncertainties. The perennial becomes obsolete.
Tempo
The primary function of any plastic representation in images is to freeze time, especially photography. Tempo, in Italian, refers to the speed at which a piece of music should be performed.
Collages, raffia, photography, marker, ink on paper of 65 X 50 cms
Collages, raffia, photography, marker, ink on paper of 65 X 50 cms
Collages, raffia, photography, marker, ink on paper of 65 X 50 cms
Collages, raffia, photography, marker, ink on paper of 65 X 50 cms
Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.
Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.
Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.
Collage printed on sulphated paper and metal pin on photograph 70 X 50 cms.
Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.
Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.
Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.
Acrylic, inks, enamel, lithographic pencil, print on canvas of 150 X 82 cms.
The Brightness of your Eye
Memory, like oblivion, is a fine, delicate and forceful line; in opposite directions. Both are consistent with each other.
The eyes of the tree 1 and 2
A holistic view of the functioning of ecosystems and the disruption caused to them by the introduction of invasive species.
Collage of relief prints on Indian paper and aluminium mounted on unglued paper 120 x 80 cms
Collage of relief prints on dirty paper 250 grs. ink and acrylic. 85 X 68 cms.
Collage of relief prints on Indian paper and aluminium mounted on unglued paper 120 x 80 cms
To C. Sagan
The author interprets the feelings of admiration that marked the viewing of Carl Sagan's Cosmos series, feelings that are sometimes contradictory but always complacent.
Perfidy
The weight of the word in the conception of a work determines the attitude of the creator and the receiver. Perfidia leaves little to add in a time of social, political and economic upheaval.
Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.
Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.
Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.
Monotype 2, 3 inks, Indian ink, marker on photograph of 70 X 50 cms.
Mixed media on canvas (acrylic, ink and industrial enamel). Work composed of six units of 134,5 X 134,5 in diagonal and a total of 481 X 343 cms.
Mixed media on canvas (acrylic, ink and industrial enamel). Work composed of six units of 134,5 X 134,5 in diagonal and a total of 481 X 343 cms.
Mixed media on canvas (acrylic, ink and industrial enamel). Work composed of six units of 134,5 X 134,5 in diagonal and a total of 481 X 343 cms.
Travelogue
I begin this collection with six works which, as their name suggests, are a travelogue.
I start from my childhood nest or I go to that nest, looking at Master J. Miro out of the corner of my eye.
Mixed technique on canvas of 150 X 95 cms.
Mixed technique on canvas of 150 X 95 cms.
Mixed technique on canvas 145 X 80 cms.
Mixed technique on canvas of 150 X 95 cms.
Fluids
Based on the lines that the waves engrave in liquid bodies, a work carried out with a fluid simulator and other computer tools. A work of fluid conception and execution.
Indian ink and digital print on 220grs. paper of 50 X 68 cms.
Indian ink and digital print on 220grs. paper of 50 X 68 cms.
Indian ink and digital print on 220grs. paper of 50 X 68 cms.
Indian ink and digital print on 220grs. paper of 50 X 68 cms.
Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.
Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.
Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.
Mixed media on Fabriano paper 240grs. (Monotype, print, marker, ink and enamel) 350 X 90 cms.
Eclipse of memory
E of M refers to the passage of time, and forgetfulness. The ability to recreate memories to the point of modifying them and assuming them as true. Starting from a visual memory from my childhood (a forest under the moonlight), its interpretation has been modified by the years, experience and the conditions of the chosen materials. It is the illusion of memory, both personally and collectively. If time could be measured by memory, what place would oblivion occupy?
Cold
Cold wave from inside a vehicle, in the garage of a house, as an over-wrapped, over-protected matriushka.
The thread that binds us together
Little by little science affirms what intuition cannot empirically verify, from the existence of intergalactic connections to the interstice, one of the most voluminous organs in our body, both of which went unnoticed. The thread that unites us, like the horizon, is an imaginary line that binds everything and can do everything.
2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.
2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.
2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.
2015 158 X 39,5 cms. (79 X 39,5 cms. c.u.) Enamel and inks on handmade paper.
Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.
Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.
Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.
Series of five works in mixed media (ink, relief and digital printing) on 220grs Rosaspina paper numbered from 1/5 to 5/5 and signed by the author. 39 X 70 cms.
Matriushka
Decomposition and composition. The different units of the doll could be interchangeable like an “cadavre exquis”. The doll seen in X-rays can be composed and decomposed, as a symbol of fortune, changing from hand to hand, changing its face and appearance.
Mixed Technique (enamel, collage) on paper 124 X 94 cms
Mixed Technique (enamel, collage) on paper 124 X 94 cms
Mixed Technique (enamel, collage) on paper 124 X 94 cms
Mixed Technique (enamel, collage) on paper 124 X 94 cms
Elusive
Little by little, science is affirming what intuition cannot prove empirically, from the existence of intergalactic connections to the interstice, one of the largest organs of our body, which have gone unnoticed. The thread that unites us, like the horizon, is an imaginary line that connects everything and everything can. This diptych is in continuity with the work El hilo que nos une, also shown in these pages.
Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.
Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.
Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.
Mixed media on handmade paper (ink, marker, spray, aluminium). 158 X 39 cms.
Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.
Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.
Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.
Mixed media ( acrylic, ink, varnish) on Murillo and Super-alpha paper. 96,5 X 202,5 cms.
Suddenly I don't know what I think
He began this work with the idea of a cartography, a sort of illustration of the different roughnesses in the author's state of mind. The transparency of the varnish gives the work a volume by accentuating the sheen. Almost invisible, in previous works by Jesús Tejedor, remains this desire to "be without being noticed". The moods are cyclical like rotating galaxies, based on the drawing of a pendulum that leaves its mark in search of stability, immobility.
India ink and digital print on super alpha paper 198 X 130 cms
India ink and digital print on super alpha paper 198 X 130 cms
India ink and digital print on super alpha paper 198 X 130 cms
India ink and digital print on super alpha paper 198 X 130 cms
The return
Four visions of the same object at different stages. Starting from a clay modelling and the action of water, la vuelta presents different visions of an irregular sphere with multiple perforations as if to shelter a swarm.
Ishigami White Dot
Among the author's concerns is architecture, some time after an Ishigami exhibition in Paris, he created a polyptych with a deep grey base, progressively searching for light. Another homage of the author to his icons, with another of his constant obsessions of simplifications of Matriushkas, the Russian dolls that house other dolls inside them.
Mixed media on canvas 71 X 59 cms.
Mixed media on canvas 71 X 59 cms.
Mixed media on canvas 71 X 59 cms.
Mixed media on canvas 71 X 59 cms.
Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.
Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.
Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.
Ink, marker, digital print on handmade paper 86 x 67 cms. Four separate or joint pieces numbered from 1 to 4.
Virus
Superposition of incompatible cells that share the same space, life. A series conceived not only by the addition of elements, but also by subtraction.
Digital A and B
A series whose axis is the wound of identity through the fingerprint. Wounds that question both individual and collective identity, whether they are our own or those of others, they are also our identity. External or internal factors that become a spearhead or a process of progressive physical and mental decomposition.
Reference to external events that shape the identity of sociological, religious, political, cultural origin...
Serigraphy enamel and inks on paper. 112 X 380 cms and 150 X 130 cms.
Serigraphy enamel and inks on paper. 112 X 380 cms and 150 X 130 cms.
Serigraphy enamel and inks on paper. 112 X 380 cms and 150 X 130 cms.
Serigraphy enamel and inks on paper. 112 X 380 cms and 150 X 130 cms.
Ink, acrylic, digital print on handmade paper 86 X 402 cms. Six separate or combined pieces: The other I inhabit Holistic of thought Weighing my history Releasing my shadow Whatever will be Another frozen stage
Ink, acrylic, digital print on handmade paper 86 X 402 cms. The other I inhabit
Ink, acrylic, digital print on handmade paper 86 X 402 cms. Another frozen stage
Ink, acrylic, digital print on handmade paper 86 X 402 cms. Six separate or combined pieces: The other I inhabit Holistic of thought Weighing my history Releasing my shadow Whatever will be Another frozen stage
Acrylic and ink on cardboard 42 X 29,7 cms. c.u. (252 X 89cms).
Acrylic and ink on cardboard 42 X 29,7 cms. c.u. (252 X 89cms).
Acrylic and ink on cardboard 42 X 29,7 cms. c.u. (252 X 89cms).
Acrylic and ink on cardboard 42 X 29,7 cms. c.u. (252 X 89cms).
Sepia The importance of the apparent weight in each of these cartons, gives each individual an identity. As if looking through a microscope, the author designs each cell as if they were endowed with a specific function. The backgrounds of undefined profiles highlight the design; like a divinity that creates new forms of life, the author of Sepia explores the greatness of the insignificant and submits it to an individualised portrait framed in the collective.The importance of the apparent weight in each of these cartons, gives each individual an identity. As if looking through a microscope, the author designs each cell as if they were endowed with a specific function. The backgrounds of undefined profiles highlight the design; like a divinity that creates new forms of life, the author of Sepia explores the greatness of the insignificant and submits it to an individualised portrait framed in the collective.
Seeds 5 and 6
Simple, decorticated seeds, ready to be observed in the laboratory, protected from different elements, light, humidity, acidity, standing out by contrast of their origin and descendants.
Lithography and relief printing 65,5 X 50,5 cms. Arches 240grs. Edition signed by the author and numbered from 1/5 to 5/5 Self-publishing printed in Scalpo
Lithography and relief printing 65,5 X 50,5 cms. Arches 240grs. Edition signed by the author and numbered from 1/5 to 5/5 Self-publishing printed in Scalpo
Lithography and relief printing 65,5 X 50,5 cms. Arches 240grs. Edition signed by the author and numbered from 1/5 to 5/5 Self-publishing printed in Scalpo
Lithography and relief printing 65,5 X 50,5 cms. Arches 240grs. Edition signed by the author and numbered from 1/5 to 5/5 Self-publishing printed in Scalpo
Lithography and relief printing 117,5 X 40 cms. Arches 300grs. Edition signed by the author and numbered from 1/4 to 4/4 Self-publishing printed in Scalpo
Lithography and relief printing 117,5 X 40 cms. Arches 300grs. Edition signed by the author and numbered from 1/4 to 4/4 Self-publishing printed in Scalpo
Lithography and relief printing 117,5 X 40 cms. Arches 300grs. Edition signed by the author and numbered from 1/4 to 4/4 Self-publishing printed in Scalpo
Lithography and relief printing 117,5 X 40 cms. Arches 300grs. Edition signed by the author and numbered from 1/4 to 4/4 Self-publishing printed in Scalpo
Seeds 1 to 4
"Semillas" is a series of engravings and lithographs that tries to honor Mother Nature for her fertility and ability to reproduce, making her way through adversity by adaptation". The author invents and isolates the grains to put them in value and develops a hypothetical evolution in their growth. His apparent simplicity in the design of each of these seeds is underlined by the reuse of different plant elements, manipulated or of industrial origin, their variations conditioning the expression of life.
Gravitational
Forces of the elements micro-universe and macro-universe. Monotype print on paper. Belonging to a series of black monotypes. Gravitational is a representation of the forces of attraction - repulsion in every element of the universe. The temperamental gesture as a factor of uncertainty gives the work an organic side.
Monotype on paper 224 X 76cms.
Monotype on paper 224 X 76cms.
Monotype on paper 224 X 296 cms.
Monotype on paper 224 X 76cms.
Illuminated monotypes by hand Collage on paper 336 X 152 cms.
Illuminated monotypes by hand Collage on paper 336 X 152 cms.
Illuminated monotypes by hand Collage on paper 336 X 152 cms.
Illuminated monotypes by hand Collage on paper 336 X 152 cms.
10 Interactions
The author intuitively creates a universe of particles whose behaviour and consequences still elude reason. Constantly breaking the perception in the observation as in a laboratory where the result varies according to the observer and reminds him of the insignificance of the immense without the understanding of the greatness in the minuscule, he portrays society considering the individual as a particle in a global way.
The movements and forces of particles due to conditions such as temperature, presence - absence of nutrients, proximity or condition in their own electric charge and mobility.
